The DC Comics Guide to Writing Comics

The DC Comics Guide to Writing Comics PDF/EPUB ☆ The

The DC Comics Guide to Writing Comics ❰Download❯ ➵ The DC Comics Guide to Writing Comics Author Dennis O'Neil – Polishdarling.co.uk For any writer who wants to become an expert comic book storyteller, The DC Comics Guide to Writing Comics is the definitive, one stop resource In this valuable guide, Dennis O Neil, a living legend i For any writer who wants Comics Guide ePUB ´ to become an expert comic book storyteller, The DC Comics Guide to Writing Comics is the definitive, one stop resource In this valuable guide, Dennis O Neil, a living legend in the comics industry, reveals his insider tricks and no fail techniques for comic storytelling Readers will discover the various methods of writing scripts full script vs plot first , The DC MOBI :ï as well as procedures for developing a story structure, building subplots, creating well rounded characters, and much O Neil also explains the many diverse formats for comic books, including graphic novels, maxi series, mega series, and adaptation Of course, there are also dozens of guidelines for writing proposals to editors that command attention and get results.


About the Author: Dennis O'Neil

Dennis O Neil was a Comics Guide ePUB ´ comic book writer and editor best known for his work for Marvel Comics and DC Comics from the s through the s, and Group Editor for the Batman family of titles until his retirementHis best known works include Green Lantern Green Arrow and Batman with Neal Adams, The Shadow with Michael Kaluta and The Question with Denys Cowan As an The DC MOBI :ï editor, he is principally known for editing the various Batman titles From unti his death, he sat on the board of directors of the charity The Hero Initiative and served on its Disbursement Committee.



10 thoughts on “The DC Comics Guide to Writing Comics

  1. Diz Diz says:

    This is an introduction to writing for the comics industry The content covers some of the basics of writing such as Chekhov s gun and Hitchcock s thoughts on suspense, so those with some understanding of story writing and structure won t find much new here Perhaps it would be a good book for someone who is writing for the first time and hasn t read much about writing For me, the best part of the book is that it includes a lot of inked DC comics without the colors Those pages are beautiful to This is an introduction to writing for the comics industry The content covers some of the basics of writing such as Chekhov s gun and Hitchcock s thoughts on suspense, so those with some understanding of story writing and structure won t find much new here Perhaps it would be a good book for someone who is writing for the first time and hasn t read much about writing For me, the best part of the book is that it includes a lot of inked DC comics without the colors Those pages are beautiful to look at


  2. Wes Locher Wes Locher says:

    The DC Guide to Writing Comics by Dennis O Neil is a quick little romp through the utter basics of story structure, scripting, and dialoging Having been a huge fan of comic books for as long as I can remember, I ve always had the desire to write and publish my own mainly just because I think it would be fun For me, sequential art has always been a medium that ties together well written prose with artwork that s exciting and and full of detail If you don t know the first thing about writing co The DC Guide to Writing Comics by Dennis O Neil is a quick little romp through the utter basics of story structure, scripting, and dialoging Having been a huge fan of comic books for as long as I can remember, I ve always had the desire to write and publish my own mainly just because I think it would be fun For me, sequential art has always been a medium that ties together well written prose with artwork that s exciting and and full of detail If you don t know the first thing about writing comic books, then I d recommend this as an excellent place to start Sure, O Neil spends a lot of time on the very basics of storytelling, informing the reader of what s necessary for Act s I III While you might be able to pick this up just from reading a single issue or complete story arc in a current title, it s great to have a small reference book for your shelf that doesn t require you to thumb through hundreds of pages to find the info you seek.My favorite section offered up was that on scripting Comic book scripting is one of those things that s very much dependent on person preference or publisher It helps the aspiring comic writer find the style best suited for him or her and provides interesting exercises in one s ability to adapt to whatever the project requires For effect, O Neil juxtaposes his scripts with the finished product so you can see how artist interprets the writer s ideas and direction.Even if you have no desire to write a comic, this quick read will give you an appreciation for how the books are constructed If nothing else, it will remind you that even though it only took you ten minutes to read a single issue comic cover to cover the creative team spent weeks channeling their creativity into the medium.It s important to note that regardless of the fact that Batman and Superman adorn the covers of this book, the suggestions, tips, and tactics within are applicable to all styles of graphic storytelling The section on plot structure alone should earn this a spot on any writer s shelf


  3. Zane Zane says:

    There is a common idea that you have to know the formula to break it This book gives the formula to DC comics It is sort of sad and demystifying, but for the most part maybe we could already see through it I am glad DC is not overrun by this formula, but I can definitely see its presence The author says every super hero story should start with action, so someone picking up your book will buy it Now I want to go to a comic store and look to see if that is the general rule What if it is, and There is a common idea that you have to know the formula to break it This book gives the formula to DC comics It is sort of sad and demystifying, but for the most part maybe we could already see through it I am glad DC is not overrun by this formula, but I can definitely see its presence The author says every super hero story should start with action, so someone picking up your book will buy it Now I want to go to a comic store and look to see if that is the general rule What if it is, and I never noticed Am I a bad reader Also, the author makes the claim that most people don t read caption boxes in comics I find it hard to believe that people are so lazy reading comics that they just look at pictures, read sound words, and a few voice balloons That would also be sad Anyway, if you are interested in writing comics, this may give you some direction Let s just hope you couple it with Alan Moore s condemnation of most of the things this book suggests in his Writing for Comics


  4. Eugene booker Eugene booker says:

    Books great for any begging writer, get all the trade from Denny Oneil.It goes into things like story structre and writing graphic novels, short stories and the like Reccomended for anyone who wants to know ho to write comics


  5. Samson Samson says:

    a very clear guide to writing comics It was technical for sure, but it shied away from incredibly dreary material but at points it was boring


  6. Stuart Stuart says:

    This is actually a pretty terrible book Much of that is because I just finished Alan Moore s book on writing so maybe he ruined it for me But O Neil is so conservative in his ideas about writing that he never really suggests anything that would actually distinguish one as a better writer It seems like a lot of what Moore considers in his book to be irrelevant And Moore was writing in 1985 True, a lot of what O Neil does say sounds like the lesson plan from your Middle School English teacher This is actually a pretty terrible book Much of that is because I just finished Alan Moore s book on writing so maybe he ruined it for me But O Neil is so conservative in his ideas about writing that he never really suggests anything that would actually distinguish one as a better writer It seems like a lot of what Moore considers in his book to be irrelevant And Moore was writing in 1985 True, a lot of what O Neil does say sounds like the lesson plan from your Middle School English teacher And as far as it goes I suppose that is fine Generic but reasonable Yet he is so afraid of advocating anything definite that it all comes across as an exercise in vagueness and an unassertive anything goes attitude, none of which is that helpful to anyone.I get the idea he doesn t like printed literature much and he comes across like that sneering kid who complains loudly about having to read anything in English class What he does like is movies and he makes the analogy with them so often that when he finally admits that comics are not movies at the very, very end it sounds pretty hollow The bibliography for example is almost all film books and that seems to send the wrong message.It is a DC Comics guide, but he never gives much credence to anything that isn t Batman, Superman and a few Marvel titles If this were written by Art Spiegelman, Jaime Hernandez, Dan Clowes, Moebius, Herge, Jodorowsky or Hugo Pratt the conception would be very, very different It is a DC book but this bias sort of seems symptomatic of how limited the book s vision is.Graphically, the illustrations are informative and useful and it is a better designed book than Alan Moore s in that sense but it could use something besides greyscale and the text should be broken upand the print size should be larger Watson Guptill should know better about good book design


  7. Daryl Daryl says:

    I spent some time reading through this cover to cover, as I m currently working on some comic book scripts and thought it might be helpful I didn t learn much from this I didn t already know There were a couple of good bits, one on characterization very similar to what an author or actor does in theatre and one on script preparation going from plot to outline to prose very similar to what I have been doing Other than that, I found it very basic information on storytelling and some spec I spent some time reading through this cover to cover, as I m currently working on some comic book scripts and thought it might be helpful I didn t learn much from this I didn t already know There were a couple of good bits, one on characterization very similar to what an author or actor does in theatre and one on script preparation going from plot to outline to prose very similar to what I have been doing Other than that, I found it very basic information on storytelling and some specifics on comic book writing, but nothing I hadn t already gleaned from years of comic book reading, and other sources on comics writing that I ve read over the years I suppose I shouldn t be surprised as this book is older than most of the others I ve perused in the past I was torn between giving this one two or three stars, but hey, it s about comics and has lots of pretty pictures The script examples O Neil includes far too many of his own, I felt are always interesting I particularly liked seeing a Charles Moulton Wonder Woman script from the 40s I m guessing , and seeing how similar it was to one that could have been written today


  8. Kevin Kevin says:

    Great for beginnersI won t get too deep into the book during this review But as someone venturing into the world of writing comics for the first time, this was an excellent read Plenty of helpful hints and important terminology The thing that differentiates The DC Comics Guide to Writing Comics is that they actually showed pages of actual scripts and then, how that particular script was translated into a finished comic book page.


  9. Mira Domsky Mira Domsky says:

    Definitely a useful handbook for amateurs, however, many of the examples of what a comic should look like or do are so old that they don t apply to modern comic writing But what do I know I m an amateur, and O Neil is a veteran.


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10 thoughts on “The DC Comics Guide to Writing Comics

  1. Diz Diz says:

    This is an introduction to writing for the comics industry The content covers some of the basics of writing such as Chekhov s gun and Hitchcock s thoughts on suspense, so those with some understanding of story writing and structure won t find much new here Perhaps it would be a good book for someone who is writing for the first time and hasn t read much about writing For me, the best part of the book is that it includes a lot of inked DC comics without the colors Those pages are beautiful to This is an introduction to writing for the comics industry The content covers some of the basics of writing such as Chekhov s gun and Hitchcock s thoughts on suspense, so those with some understanding of story writing and structure won t find much new here Perhaps it would be a good book for someone who is writing for the first time and hasn t read much about writing For me, the best part of the book is that it includes a lot of inked DC comics without the colors Those pages are beautiful to look at


  2. Wes Locher Wes Locher says:

    The DC Guide to Writing Comics by Dennis O Neil is a quick little romp through the utter basics of story structure, scripting, and dialoging Having been a huge fan of comic books for as long as I can remember, I ve always had the desire to write and publish my own mainly just because I think it would be fun For me, sequential art has always been a medium that ties together well written prose with artwork that s exciting and and full of detail If you don t know the first thing about writing co The DC Guide to Writing Comics by Dennis O Neil is a quick little romp through the utter basics of story structure, scripting, and dialoging Having been a huge fan of comic books for as long as I can remember, I ve always had the desire to write and publish my own mainly just because I think it would be fun For me, sequential art has always been a medium that ties together well written prose with artwork that s exciting and and full of detail If you don t know the first thing about writing comic books, then I d recommend this as an excellent place to start Sure, O Neil spends a lot of time on the very basics of storytelling, informing the reader of what s necessary for Act s I III While you might be able to pick this up just from reading a single issue or complete story arc in a current title, it s great to have a small reference book for your shelf that doesn t require you to thumb through hundreds of pages to find the info you seek.My favorite section offered up was that on scripting Comic book scripting is one of those things that s very much dependent on person preference or publisher It helps the aspiring comic writer find the style best suited for him or her and provides interesting exercises in one s ability to adapt to whatever the project requires For effect, O Neil juxtaposes his scripts with the finished product so you can see how artist interprets the writer s ideas and direction.Even if you have no desire to write a comic, this quick read will give you an appreciation for how the books are constructed If nothing else, it will remind you that even though it only took you ten minutes to read a single issue comic cover to cover the creative team spent weeks channeling their creativity into the medium.It s important to note that regardless of the fact that Batman and Superman adorn the covers of this book, the suggestions, tips, and tactics within are applicable to all styles of graphic storytelling The section on plot structure alone should earn this a spot on any writer s shelf


  3. Zane Zane says:

    There is a common idea that you have to know the formula to break it This book gives the formula to DC comics It is sort of sad and demystifying, but for the most part maybe we could already see through it I am glad DC is not overrun by this formula, but I can definitely see its presence The author says every super hero story should start with action, so someone picking up your book will buy it Now I want to go to a comic store and look to see if that is the general rule What if it is, and There is a common idea that you have to know the formula to break it This book gives the formula to DC comics It is sort of sad and demystifying, but for the most part maybe we could already see through it I am glad DC is not overrun by this formula, but I can definitely see its presence The author says every super hero story should start with action, so someone picking up your book will buy it Now I want to go to a comic store and look to see if that is the general rule What if it is, and I never noticed Am I a bad reader Also, the author makes the claim that most people don t read caption boxes in comics I find it hard to believe that people are so lazy reading comics that they just look at pictures, read sound words, and a few voice balloons That would also be sad Anyway, if you are interested in writing comics, this may give you some direction Let s just hope you couple it with Alan Moore s condemnation of most of the things this book suggests in his Writing for Comics


  4. Eugene booker Eugene booker says:

    Books great for any begging writer, get all the trade from Denny Oneil.It goes into things like story structre and writing graphic novels, short stories and the like Reccomended for anyone who wants to know ho to write comics


  5. Samson Samson says:

    a very clear guide to writing comics It was technical for sure, but it shied away from incredibly dreary material but at points it was boring


  6. Stuart Stuart says:

    This is actually a pretty terrible book Much of that is because I just finished Alan Moore s book on writing so maybe he ruined it for me But O Neil is so conservative in his ideas about writing that he never really suggests anything that would actually distinguish one as a better writer It seems like a lot of what Moore considers in his book to be irrelevant And Moore was writing in 1985 True, a lot of what O Neil does say sounds like the lesson plan from your Middle School English teacher This is actually a pretty terrible book Much of that is because I just finished Alan Moore s book on writing so maybe he ruined it for me But O Neil is so conservative in his ideas about writing that he never really suggests anything that would actually distinguish one as a better writer It seems like a lot of what Moore considers in his book to be irrelevant And Moore was writing in 1985 True, a lot of what O Neil does say sounds like the lesson plan from your Middle School English teacher And as far as it goes I suppose that is fine Generic but reasonable Yet he is so afraid of advocating anything definite that it all comes across as an exercise in vagueness and an unassertive anything goes attitude, none of which is that helpful to anyone.I get the idea he doesn t like printed literature much and he comes across like that sneering kid who complains loudly about having to read anything in English class What he does like is movies and he makes the analogy with them so often that when he finally admits that comics are not movies at the very, very end it sounds pretty hollow The bibliography for example is almost all film books and that seems to send the wrong message.It is a DC Comics guide, but he never gives much credence to anything that isn t Batman, Superman and a few Marvel titles If this were written by Art Spiegelman, Jaime Hernandez, Dan Clowes, Moebius, Herge, Jodorowsky or Hugo Pratt the conception would be very, very different It is a DC book but this bias sort of seems symptomatic of how limited the book s vision is.Graphically, the illustrations are informative and useful and it is a better designed book than Alan Moore s in that sense but it could use something besides greyscale and the text should be broken upand the print size should be larger Watson Guptill should know better about good book design


  7. Daryl Daryl says:

    I spent some time reading through this cover to cover, as I m currently working on some comic book scripts and thought it might be helpful I didn t learn much from this I didn t already know There were a couple of good bits, one on characterization very similar to what an author or actor does in theatre and one on script preparation going from plot to outline to prose very similar to what I have been doing Other than that, I found it very basic information on storytelling and some spec I spent some time reading through this cover to cover, as I m currently working on some comic book scripts and thought it might be helpful I didn t learn much from this I didn t already know There were a couple of good bits, one on characterization very similar to what an author or actor does in theatre and one on script preparation going from plot to outline to prose very similar to what I have been doing Other than that, I found it very basic information on storytelling and some specifics on comic book writing, but nothing I hadn t already gleaned from years of comic book reading, and other sources on comics writing that I ve read over the years I suppose I shouldn t be surprised as this book is older than most of the others I ve perused in the past I was torn between giving this one two or three stars, but hey, it s about comics and has lots of pretty pictures The script examples O Neil includes far too many of his own, I felt are always interesting I particularly liked seeing a Charles Moulton Wonder Woman script from the 40s I m guessing , and seeing how similar it was to one that could have been written today


  8. Kevin Kevin says:

    Great for beginnersI won t get too deep into the book during this review But as someone venturing into the world of writing comics for the first time, this was an excellent read Plenty of helpful hints and important terminology The thing that differentiates The DC Comics Guide to Writing Comics is that they actually showed pages of actual scripts and then, how that particular script was translated into a finished comic book page.


  9. Mira Domsky Mira Domsky says:

    Definitely a useful handbook for amateurs, however, many of the examples of what a comic should look like or do are so old that they don t apply to modern comic writing But what do I know I m an amateur, and O Neil is a veteran.


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